MARIE CLAIRE UK – Starring in the highly anticipated Star Wars prequel, Andor, Adria Arjona is being touted as the new talent to watch. Here, she speaks to Lotte Jeffs about swerving the cult of celebrity and finding solace in nature
As a teenager, Adria Arjona sold merchandise at gigs. Her brother had a job helping to build the stage. No one attending those concerts – which were usually held in giant stadiums, full of tens of thousands of fans – would have known that the Guatemalan pop star they had come to see was, in fact, these children’s father. Indeed, while Ricardo Arjona is one of the most successful Latin American artists of all time, with more than 80 million records under his belt, growing up in the shadow of his fame has steeled Arjona for her own success as an actor. Now starring in the much-hyped Star Wars prequel series, Andor (streaming on Disney+ from September 21st), his insistence that she work hard and avoid the usual pitfalls of celebrity culture has gifted her a wisdom and self-awareness many take an entire career to develop.
“My dad did such a good job of hiding the fact that he was famous for so many years,” she says. “I never really understood how big of an impact he had on society. It wasn’t until later that I figured, ‘Wait, we’re not poor!’, because we lived a very humble, very easy life, and then all of a sudden I realised, ‘Holy shit, he’s famous. He can buy me a cell phone!’”
Arjona grew up in Mexico City, but was born in Puerto Rico, where her mother, Leslie Torres, is from. Living on a tour bus during her early years, Arjona describes her upbringing as “very carefree, wild, because everything was about the arts… then my dad started becoming more and more famous and life became about sheltering ourselves and protecting ourselves from a world that felt like everyone wanted a piece of my father.”
By the time she was 12, the family had moved to Miami, where Arjona attended a private school and had to quickly adjust to a very different lifestyle. “I think I was so afraid of who I could have become, but my dad would tell me to keep doing the art, the photography, the acting – those classes were my salvation throughout my high school years,” she says.
Today, we’re talking over Zoom from her home in LA and it strikes me that Arjona is incredibly easy to talk to: open, engaging and, despite being out-of-this-world gorgeous, far from intimidating. She’s wearing a white vest and chunky silver jewellery. There’s not a hint of makeup on her face and her naturally wavy hair tumbles just past her shoulders. Her voice is soft; her South American accent still proudly present. Even via a laptop screen she oozes charisma.
As a child, Arjona tells me she had sporadic passions. “I’d watch Ice Princess and then all I’d want to do for a month was ice skate. I would dream about it; I would practise it; I would beg my parents for a class; I would do anything that I could to get on the ice. And then I would realise that I sucked and go, ‘I don’t want to do this’.” For a brief time she wanted to be a teacher and locked herself in a closet where she’d pretend the boots were her students. Next, she wanted to be a police officer, then a doctor. “I think at one point it occurred to me that I might be an actress, because I was so fascinated by learning certain abilities, but the second that I got a handle on them, I was ready to move on.” It perfectly sums up what she does now: “I get to play a doctor and I research and learn and I memorise it in my body, but I can’t actually do surgery – nor do I want to! I guess I’m incredibly curious.”
Following her intuition, Arjona studied performing arts in New York and initially only wanted to do theatre, until she realised that would mean “I was going to be broke forever”. Her first role was on a police drama and it was just as she was offered a recurring part on the second season that she manifested her big break: “I had watched season one of True Detective and I remember just believing deeply that I was going to be on it.” She turned down the job she’d been offered and wiggled her way into getting an audition for season two of True Detective instead. She got the part. It was a life-changing moment that set a stellar trajectory in motion and saw her relocate to LA. Her career has since included roles in everything from a sleek remake of Father of the Bride and Marvel mega-hit Morbius, to indie drama Pussy Island and fantasy comedy series Good Omens.
The diversity is a conscious decision. “[As a Latina woman], I was very conscious of what people wanted to label me as… I knew what I didn’t have to be, so I started picking roles that were really quirky and weird and interesting, and shows that were different,” she says. “That was my way of saying I have control; if [non-white actresses] feed into [the stereotypes] even just a little bit, we’re screwed.”
Over time, the actor learned how to speak up for herself on set, too. “Men get to do it all the time,” she says. “I was always so shy of doing it because I didn’t want to be called difficult or a diva… but I also have ideas and my ideas are worth listening to. Whether they’re used [or not] doesn’t matter – they’re still worth listening to.”
It’s one of the reasons Arjona loves science fiction, a genre that allows her to explore different characters and worlds she wouldn’t necessarily be able to access due to industry stereotypes. “I’ve been lucky that I’ve been able to play different kinds of women and I really enjoy the whole fantasy element of it; the imagination work that you have to get into,” she says. “I actually enjoy not understanding exactly what I’m doing at all times because it keeps me on my toes. And it’s nerve wracking. It’s exciting!”
In Andor, she plays Bix Caleen, the protagonist’s oldest friend and a risk-taking rebel with a big heart. “When you meet the [characters], you get the feeling that there’s so much history [between them]. You can sense that there was trust that’s been broken and rebuilt. And they have this insane chemistry and dynamic, which was so fun to play with [co-star] Diego Luna because he’s just so available as an actor. He’s so present”.
The scale of the project was vast compared to other sets she’s been on, with an entire city built to enable 360-degree filming. “You can run wherever you want; you can cut any single corner,” Arjona laughs. “I got to explore where [Bix is] from.” It’s a big role in an iconic franchise – a sentiment that wasn’t lost on Arjona, who tells me she initially tried to pretend it was just a regular role on a regular TV show to alleviate the pressure. “Cut to the first day on set when I just walked in and Star Wars was everywhere,” she laughs.
Filming also happened during the height of the pandemic, so cast members were kept apart and socialising was non-existent. Thankfully, that didn’t stop the atmosphere on set from being electric. “Everyone was so excited to be a part of this show that the second a director called cut, it became like a 12-year-old’s birthday party,” Arjona recalls. “Everyone’s going crazy about whether there’s a creature actor or some amazing prop – there was this incredible childlike energy.”
I wonder if she’s prepared for the level of obsession the Star Wars franchise generates? “I’m dying to meet the fans to be like, ‘It was good, right?’ But by the time it comes out, I’m going to be on another set, so I won’t really feel the impact of it as much. That’s been my trick – every time something big comes out, I go straight back to work. Then you’re not hearing about the hype [because] you’re so focused on another character. You’re so focused on another movie that you leave it behind.”
She’s not fazed by the inevitable increase in attention she’ll receive after the series airs, either, citing the example set by her father. “Fame is almost like the ocean,” she says thoughtfully. “You want to treat it with respect, you don’t want to fear it, but you also don’t want to feel too comfortable in it.” She mentions the stars of old Hollywood, like Elizabeth Taylor, who commanded a sense of glamorous mystery in an age before social media. “I’m not saying I want to create that magic – we’re living in very different times and you have to adapt – but I think privacy is so important. Having my own little world in my own little bubble [is important]. I keep my friends, partner and family really close to me, and then have this other persona for work.”
Today, she’s carved out a somewhat ‘normal’ life for herself in LA with her lawyer husband Edgardo Canales. And, thanks to what she calls her “secret weapon: my wild crazy hair”, she’s rarely recognised while out and about. She even recalls sitting next to someone recently on a plane who was watching Morbius and had no idea they were sat with one of its stars. “I was like, Jesus, that is so embarrassing! I was trying to cover my face so they didn’t realise,” she laughs.
Indeed, despite her high-profile career, Arjona says she’s an introvert. “I can do the extrovert thing, but I have a time limit. My partner can be at an event for five hours; I could be there for an hour and have to go. I love being by myself and I’m so sensitive. I give energy out like it’s candy and then I’m left depleted,” she adds. “I need time alone, especially when finishing a movie. I need to sit in bed and not talk.”
It’s a trait that’s carried into her personal life at times, too. “The majority of my friends have the biggest personalities. I guess it’s just coincidence, but my best girlfriends, even from childhood, have these huge personalities,” she says. “We sit down at dinner and I barely say a word and it’s the most amazing thing in the world.”
Indeed, the longer we talk more generally about anxiety and the need for personal space, the more Arjona opens up. “Sometimes you’re like, ‘I’m ready to be social’ and then you go out and you’re like, ‘Fuck, I’m not ready at all! I really don’t wanna.’ I’m like, ‘Oh my god, I’m being weird’. It becomes this whole battle and it’s awful, especially when meeting new people. I definitely feel more comfortable around people I already know.”
I tell her it’s reassuring to hear that even a woman as beautiful, confident and accomplished as Arjona still suffers from the same social anxieties as many women. “Are you kidding me! I’m always getting in my head and worrying that I’m being awkward, or not following conversations because I zoned out for a second,” she says.
It sounds like her husband is her wingman; the outgoing yang to her sensitive yin. They met through a mutual friend, then married in 2019 at an intimate ceremony in Antigua Guatemala. “He’s really a brilliant mind, which kind of pisses me off because I can never tell him something new. He already knows literally everything.”
Arjona’s idea of a perfect night is staying in with friends, eating home-cooked food, drinking good tequila and playing board games. “Clubs are a no-go for me – I’ve been there, done that. A lot of the time everything ends up being at my house. I just invite everybody over and we have a little party and that’s kind of my favorite vibe. I’m never normally at home, so being in feels cosy and I get to wear sweatpants and do something cute with my make-up.”
I ask what brings her the greatest joy and, without missing a beat, she says it’s her family. “I would be nothing without them. No one makes me laugh more than my mom. I think she’s the funniest human in the world. The quirkiest, weirdest woman I’ve ever met. And she’s my mom – I’m so lucky to have her. I also have a 12-year-old brother and a 26-year-old brother and I can 100 percent be my silly, goofy self in front of them and they love it.”
Indeed, for all of her otherworldly roles, Arjona is happiest with her feet firmly on the ground – and won’t be transporting herself into the metaverse any time soon. “I think we need contact, we need human connection,” she states. She feels the same about cryptocurrency and NFTs (non-fungible token) – curious and open-minded about the way the world is evolving, but content that her passions remain decidedly more tangible for now. She’s similarly practical when discussing the future of the planet, and the role we all play in tackling the climate crisis. “So much is out of our control, but I think taking things into your own hands is important,” she says. “These things may seem minor, but being aware of the water that you’re wasting every day or the plastic that you’re consuming or the products that you’re buying – there are so many little things and tiny decisions that we can make on a daily basis that will create a larger impact.”
As for the future, she’s cautiously optimistic. “I think hope is the only thing that you can have. But in terms of the environment, I’m incredibly scared of the reaction of people around me, and their lack of awareness or lack of information or lack of care. We all share this planet. This is our home. We’re all roommates. And, essentially, we’re just being assholes to one another. I’ve even been questioning if I want to have my own kids over the past couple of years, and I’m not so sure.”
We start talking more about eco-anxiety and how she deals with fear generally. “I was in a weird plane situation once, and my mom has always taught me to look at my feet when I’m anxious and see where I am in that moment – it grounds you and brings you back into the present,” she says. “They had lost the autopilot and we had nowhere to land. It was the scariest situation; the flight attendant was crying. And I just remember looking at my feet and going, ‘I’m here, I’m still alive. This plane crashing hasn’t happened yet.’ It allowed me to be a better partner to the people around me, as they were also freaking out. When we landed, I was like, ‘Oh my god, I could have spent an hour giving my poor body a heart attack.’” Instead, she stayed calm and present – and survived.
Arjona certainly strikes me as someone you would gravitate towards in a crisis. She has a grounded, solid energy; a kind of anchor within herself that can keep those around her safe whatever storms may come. “I have an interesting relationship with fear,” she reflects. “You have to become friends with fear. You have to say, ‘You’re not real. I’m making you up. You’re in the future and I’m not in the future. I’m nowhere near that. I’m here.’”
With her career now set for interstellar take off, I have a feeling that however high Adria Arjona soars, she will always remain rooted to the place she calls home.
THE HOLLYWOOD REPORTER – The actor was welcomed to the ‘Star Wars’ galaxy just 10 minutes into a chemistry read with series lead Diego Luna.
[This story contains spoilers for Andor’s first three episodes.]
At the height of the pandemic, Andor star Adria Arjona flew all the way to London to audition alongside Diego Luna (who plays the titular Rebel Alliance officer Cassian Andor), and within a span of 10 minutes, series creator Tony Gilroy welcomed her to Star Wars. Arjona plays Bix Caleen, who’s a mechanic and one of Cassian’s oldest friends on the planet Ferrix. In their first scene together at Bix’s small business, it’s suggested that the two characters have untapped feelings for one another, resulting in Bix’s current love interest, Timm (James McArdle), to jealously betray her by reporting Cassian to Imperial Security.
According to Arjona, the backstory for Bix and Cassian’s relationship is still up in the air.
“They’re childhood friends, and there’s this mystery of, ‘Were they ever really in love?’” Arjona tells The Hollywood Reporter. “So it really is kind of unknown, but through their long friendship, trust has been built and then broken and then built back up and then broken again. But she always ends up picking him over everything, and it kind of sucks.”
Andor’s first three episodes have now premiered on Disney+, and the response has been overwhelmingly positive since the series is a welcomed departure from the previous Star Wars shows. Arjona credits one individual for this new direction.
“The decisions that are made throughout the show — with the writing, the sets, the costumes and the worlds — are very much Tony [Gilroy], going, ‘I think it’s that, I think it’s that, and I think it’s that.’ And that’s why [Andor] works: because we had a vicious leader,” says Arjona.
In a recent spoiler conversation with THR, Arjona also recalls the story of how her mother gave her the positive reinforcement she needed to fly to London and audition during a precarious stretch of the pandemic.
Well, we can finally say the name Bix Caleen.
Thank God! I’ve been wanting to get a tattoo of Bix.
I know you put it off because of spoiler fears, but are you still planning to get it?
Yeah, I’m going to do it. I’m going to get some sort of Star Wars tattoo, but I’m not sure what.
When we spoke in April, you described Bix as a practical woman. Were you referring to the fact that she’s a mechanic of sorts?
Yeah, it’s hard to talk about her at such an early stage. I mean, she is incredibly practical and fearless and bold and loyal, even sometimes to her own detriment. She cares so deeply about the people around her, and it really takes her on a journey. So I’m in love with her in a way. I just think she’s the coolest.
What can you tell me about her history with Cassian? What makes her so protective of him?
I know they’ve had a long friendship. They’re childhood friends, and there’s this mystery of, “Were they ever really in love? Were they ever together? Is there jealousy between Cassian and Timm? Is this a love triangle?” So it really is kind of unknown, but through their long friendship, trust has been built and then broken and then built back up and then broken again. But Bix still cares deeply for Cassian. He’s incredibly complex and complicated, and he always seems to get himself in trouble or do things a different way. And like I said, Bix is so practical. She has her own business, and she is finally running it the way she wants to run it. She’s at the top of her game. She finally has stability, but every time Cassian comes in, he just disrupts it a little bit. So she almost wishes better for Cassian, and she’s incredibly protective over him. But she always ends up picking him over everything, and it kind of sucks.
Yeah, Cassian is unreliable in a lot of ways, but Timm (James McArdle) is a guy who will jump through hoops for Bix, to a fault.
So did she settle for Timm because she was tired of Cassian’s unpredictability?
I personally think so. Timm is safe. Timm is responsible. They function well together. They run a business together. Maybe she had hopes and dreams that it could’ve been Cassian, but who knows? It’s just impossible with him, hence that line that Cassian gives Bix, and Bix responds, “I don’t ask you about your personal life.” So you could really feel the tension in that moment of, “Oh, he doesn’t like that Timm is in my life.” (Laughs.) But he comes and goes a lot. That’s his way of protecting the people that he loves.
For anyone who may have missed our last interview, would you mind retelling the story of how you landed the role in the room?
Oh my God, I did tell you that. I didn’t tell that story to too many people. So I sent a tape in, and then I got called to go to London in the middle of the pandemic. So I called my mom, and I was like, “Mom, they want me to go to London, but there’s this thing called COVID. What should I do?” I was just so scared. I’m a true hypochondriac at heart. I was like, “What is going on with the world?” And she basically said, “Adria, you’re a swan. You could swim in a lake of shit and not get stained. Let the Force be with you, my daughter.” And then she hung up the phone on me.
So I ended up going to London, and I met Tony [Gilroy] and Diego [Luna] in person. We did one scene together, and Tony just stood up and was like, “Diego, meet your co-star. Adria, meet your co-star.” And I was like, “I’m sorry, what?” And Tony was like, “Welcome to Star Wars.” And then my heart just dropped. That whole testing period only lasted 10 minutes, and I did the scene once, plus another quick little scene. And all of a sudden, I was in Star Wars. It was the wildest thing, and it doesn’t speak to my acting abilities at all. I think it speaks more to Tony’s ability to see something and go, “That’s right.” The decisions that are made throughout the show — with the writing, the sets, the costumes and the worlds — are very much Tony, going, “I think it’s that, I think it’s that, and I think it’s that.” And that’s why it works: because we had a vicious leader.
Bix helps Cassian meet Stellan Skarsgard’s character, Luthen Rael, and he’s likely going to be the one to put Cassian on the trajectory towards becoming the Rebel hero who steals the Death Star plans in Rogue One. And that effort ultimately led Luke Skywalker to destroy the first Death Star and save the galaxy. So, technically, Bix had a hand in saving the galaxy, too. Have you thought about Bix’s role in the grand scheme of Star Wars?
I have. I really have. When Bix sent that message [to Rael], I thought about what that meant and what it meant for her future, Cassian’s future and the future of the galaxy itself. But it really lies more on Cassian than Bix, specifically. Bix is a little bit unaware of what she is actually getting herself into, but she’ll find out sooner or later. So I don’t think she’s exactly aware of what is happening or the connection to what is about to happen, but she realizes it pretty quick, though.
Episode three ends in tragedy as Timm gets stitches and dies in front of Bix. Cassian also flees Ferrix with Luthen. It’s safe to say you’ll be back at some point, right?
I can’t tell you that. It would be wild of me to do that.
What’s your favorite episode number?
Episode one. (Laughs.)
Wow, you’re good at this.
(Laughs.) You’ve gotta watch it.
Andor’s three-episode premiere is now available on Disney+. This interview was edited for length and clarity.
Happy Andor Day! Below are press interviews to hold you over until episode screen captures and more episode stills are added into the photo gallery!
SLASH FILM – Adria Arjona is very much a star on the rise right now. The actress got her major break in HBO’s “True Detective” back in 2015, but in recent years, she’s been working with some of the biggest directors and in the biggest franchises around. Arjona starred in Michael Bay’s “6 Underground,” joined the fight against the Kaiju in “Pacific Rim Uprising,” and recently dipped her toe into the Marvel universe in “Morbius.” But now, she’s stepping into one of the biggest franchises the world has ever known; Arjona is starring in “Andor,” the latest live-action “Star Wars” show making its way to Disney+ in September.
Arjona will be starring as Bix Caleen, a character who has close ties to Diego Luna’s Cassian Andor, the Rebel spy audiences first met in 2016’s “Rogue One.” While we won’t get into spoilers here, let’s just say she’s an ally of Cassian’s and doesn’t have much love for the Empire. I recently had the good fortune of speaking with Arjona during a press conference for the series to learn a bit more about Bix and the show itself. We discussed how she fits in the universe, the massive scale of filming a “Star Wars” show like this, and how it compared to working on a big Marvel movie.
‘Bix isn’t afraid of getting her hands dirty’
“Star Wars” has been a part of my life for about as long as I have memories. So anytime I get to speak to someone who was actually involved with it, it means a lot to me.
Oh, that’s amazing. I’m so excited to talk to you.
So on that topic, everyone finds “Star Wars” in their own unique way. What was your relationship to it before becoming a part of it?
I was a fan, I loved the movies. I had never watched them chronologically, so I was a little bit lost with the known timelines. I didn’t quite understand a lot of what was going on, but I certainly loved the world and all I wanted to do was be a part of it. Then finally, I got this role and I just decided to do my homework and I watched it all chronologically. It felt important to me to sort of know where I lived in the time and in the space. But then the more I read the scripts, the more I realized you don’t really have to watch any of the movies to sort of understand and appreciate the show. I mean, it’s amazing if you do, but if you don’t, it still stands on its own. That was pretty cool to me, too. That sort of gave me a lot of relief. I was like, “Okay.”
I think that’s important, too, especially now because so much stuff, like with the Marvel stuff, it feels like you have to do so much homework to watch something. I know Tony [Gilroy] has talked a lot about how they want “Andor” to be able to stand alone and be able to be an entry point for “Star Wars” fans.
Yeah. I really do believe it is, and it hopefully will be. I think you can watch and you can sort of fall in love with “Star Wars” and maybe it brings in even people that have never watched “Star Wars” before, because they don’t want to do the homework. I think that’s pretty cool.
Getting a little bit more specific, you played Bix. How would you describe her? Since you kind of did your homework before this, are there any other “Star Wars” characters that we might know that you could maybe compare her to?
I’m not big on comparison. I think there’s so many strong female characters in “Star Wars” that really stand on their own. That’s what I love about this whole world so much. I think just Bix is almost like an add-on to that. I think Bix isn’t afraid of getting her hands dirty, and she’s very practical and technical, and she’s a boss, and she’s fearless. Yet she’s incredibly caring and protective of the people around her, and a lot of the time that’s to her own detriment, right?
So what I really like about Bix is that she’s sort of this stable character, right? She has her sell yard and she owns this business and is trading and lives in this sort of trading world market city called Fariks. Then Cassian comes along and comes in, and like he always does, shifts things around every single time he comes in. He’s like, “I need you to lie. I need you to do something. I did this.” And you’re like, “Good God, here we go again.” I think Bix maybe has been saying for two years or a year, “I’m going to say no next time, I’m saying no next time, I’m saying no next time. No, no, no.” And he comes and she can’t help it.
‘I think Morbius was a very different experience’
A bit more broadly, I know you filmed it a while ago, but you did “Morbius” as well. But how does making “Andor” and playing in the “Star Wars” sandbox compare to working in another gigantic sandbox like Marvel while making “Morbius?”
I think they’re very different yet alike, because I filmed in the same city. So it almost feels like I was there forever. But I think “Morbius” was a very different experience. It was on a set, we did have some tangible and practical sets, but very little. I think “Morbius” within itself is really a three-hander piece. When this piece, it feels so much bigger than yourself. You feel it the second you step onto a set. This is not specific to Marvel — it’s very specific to the movie that I did in Marvel.
I think with “Andor,” I walked onto set and they had built an entire city. It was like four city blocks and I could get lost in it and I could open any drawer and there’s stuff inside of it.
I could sort of imagine where Bix would have breakfast and where she would go have dinner and where she would go have a drink. The bar was very much there and I would sort of hang out there sometimes in between takes. I could do the walk that she would do in the morning to get to her yard. So it was very much more immersive and I felt a lot bigger. But it was just very specific to the two projects that I was a part of. You’re working with so many different actors and so many different storylines within a single show. So that way of working, I think, was very different from my experience in Marvel.
The bit of the show that I have seen, I would say that it’s very gritty and grounded, but “gritty” is the word that I would use. Did you guys still manage to kind of keep things fun while filming, even though it was a very serious show?
Yeah, we did, we did. I mean, I think there’s a preparation and there’s this thing that you feel when you’re on a “Star Wars” set. You’re like, “I want to honor this, I want to do it for the fans, I want to do it for the storyline, I want to do it for Tony [Gilroy]. I want to do it for Bix.” So there is a sense that it is quite serious, but that only happens between action and cut. Then everything else, it’s a bunch of kids going, “We’re in Star Wars, we’re in Star Wars. Oh my God. Oh my God.”
Even the director geeks out. I don’t know how many takes I messed up because I saw something and I was like, “What?” I remember the first Stormtrooper that I saw or creature actor and I was running and I saw someone, and I was like, “Oh my God.” And the director’s like, “Do you want to not react? You’re part of this world, you’re supposed to be used to this.” I just found it to be the coolest thing. I think everyone turns into little kids the second that cameras are not rolling.
“Andor” arrives on Disney+ on September 21, 2022.
DEADLINE – EXCLUSIVE: Zoë Kravitz has rounded out the cast for her directorial debut Pussy Island, with Christian Slater (Dr. Death), Alia Shawkat (Search Party) and Geena Davis (Thelma & Louise) signing on for roles, along with Adria Arjona (Morbius), Haley Joel Osment (Goliath), Liz Caribel Sierra (God’s Time), Levon Hawke (The Crowded Room), Trew Mullen (Sunny Family Cult), Saul Williams (Akilla’s Escape), Cris Costa and Kyle MacLachlan (Blue Velvet).
The actors join an ensemble that also includes Naomi Ackie, Channing Tatum and Simon Rex, as previously announced.
The MGM genre pic written by Kravitz and E.T. Feigenbaum follows Frida (Ackie), a young and clever Los Angeles cocktail waitress who has her eyes set on the prize: philanthropist and tech mogul Slater King (Tatum). When she skillfully maneuvers her way into King’s inner circle and ultimately an intimate gathering on his private island, she is ready for a journey of a lifetime. Despite the epic setting, beautiful people, ever-flowing champagne and late-night dance parties, Frida can sense that there’s more to this island than meets the eye. Something she can’t quite put her finger on. Something terrifying.
Pussy Island is currently in production in Mexico. Bruce Cohen, Kravitz’s This Is Important and Tiffany Persons are producing the film, alongside Garret Levitz for Tatum’s Free Association. Jordan Harkins is executive producing along with RedRum’s Stacy Perskie.
Slater received Golden Globe and Critics Choice Awards for his role in USA Network’s hacker drama Mr. Robot, more recently starring in Peacock’s limited series, Dr. Death. His upcoming projects include Jerry Seinfeld’s feature directorial debut Unfrosted: The Pop-Tart Story for Netflix, the FX on Hulu miniseries Fleishman Is in Trouble and Pierre Morel’s action-comedy Freelance.
Shawkat starred for five seasons in the hit comedy series Search Party, which originally aired on TBS before moving to HBO Max for its final two seasons. She recently appeared in Aaron Sorkin’s film Being the Ricardos for Amazon Studios, and can currently be seen in the FX series The Old Man, opposite Jeff Bridges and John Lithgow.
Davis won her first Oscar in 1989 for her turn in The Accidental Tourist, landing her second nom in 1992 for her performance opposite Susan Sarandon as Thelma & Louise‘s Thelma. The actress most recently appeared in the action-thriller Ava with Jessica Chastain and Colin Farrell. Other notable credits include Tootsie, A League of Their Own, Cutthroat Island, The Long Kiss Goodnight and In a World….
Arjona most recently starred as the female lead in Sony’s Marvel pic Morbius, opposite Jared Leto. She can currently be seen in HBO’s Irma Vep opposite Alicia Vikander and in HBO Max’s Father of the Bride remake, and will make her Disney+ debut in the Star Wars series Andor on August 31st.
Osment is an Oscar nominee who most recently wrapped a role in Alexi Pappas and Jeremy Teicher’s film, Not an Artist. He will next be seen opposite Alison Brie and Jay Ellis in Dave Franco’s Amazon feature Somebody I Used to Know, which is slated for release later this year. Osment recently starred on the TV side in the final two seasons of Netflix’s The Kominsky Method, in addition to the final season of David E. Kelley’s Goliath.
Sierra recently wrapped on Ellen, a miniseries from Automatik and New Regency in which she stars opposite Lin Shaye. Up next, she stars as Regina in the feature God’s Time, written and directed by Daniel Antebi, which made its world premiere at the 2022 Tribeca Film Festival.
Hawke is a 20-year-old actor and musician currently studying Philosophy at Brown University, who with Pussy Island makes his feature film debut. Also coming up for the actor is the Apple TV+ series The Crowded Room, which marks his debut on the TV side.
Mullen is best known for her lead role in Blumhouse and Eli Roth’s Crypt TV series Sunny Family Cult. She has also starred in music videos opposite the likes of Charlie Puth, Nick Jonas, Bazzi and Ross Lynch.
Williams was a series regular on The CW’s Girlfriends and has appeared in such films as K-PAX, Lackawanna Blues, New York, I Love You, and the French-Senegalese Aujourd’hui. He also starred in the 2021 film Akilla’s Escape and made his directorial debut with the Afrofuturist Cannes 2021 film Neptune Frost, which was released in theaters last month.
Costa is an executive protection consultant who, like Hawke, is making his feature film acting debut.
MacLachlan is best known for his iconic collaborations with David Lynch on Twin Peaks, Blue Velvet and Dune. Among his other credits are Sex and the City, Desperate Housewives and Portlandia. He recently starred opposite Kate McKinnon in the Peacock limited series Joe vs. Carole and will next be seen opposite Jon Hamm in the film Confess, Fletch.
Slater is represented by UTA; Shawkat by UTA and Mgmt Entertainment; Davis by CAA and Untitled Entertainment; Arjona by CAA, Anonymous Content and Goodman, Genow, Schenkman; Osment by Mgmt Entertainment, Griffin Talent, and Edelstein, Laird & Sobel; Sierra by Grandview; Hawke by CAA; Mullen by Luber Roklin Entertainment; Williams by CAA and Knitting Factory Management; and MacLachlan by UTA, Entertainment 360, and attorney Alan Wertheimer at Jackoway Austen Tyerman.